Closing of Multifarious Press

I’ve been dreading both coming to this decision and telling people about it.

One of the hardest things for me to do is admit I’ve been a fool. But boy have I ever been a fool in thinking that *I* had it in me to run a press.

I don’t. I really don’t. If it were something as simple as doing the work of editing, making the covers, publishing the books, (which, I foolishly thought was the bulk of running a press) I could totally do all that. I HAVE done all that for my own books.

But it has honestly come down to people. Creatures I don’t understand in the slightest.

A little over a two years ago I saw so many diverse voices going unpublished because there is a lot of lip service going on about wanting diversity, but not a lot of actual books being put out for a lot of kinds of diversity.

Neuroatypicality for one. I have a lot of the skills necessary to get books out there, but what I don’t have is a thick hide. I’m broken, mentally ill, and the VAST amount of censure and harassment I (and my staff) have come under for DARING to want to help diverse voices find publication is just…

It’s a lot. It’s a large part of what caused me to run my head into a mental health crisis. Just wanting to help diverse voices find publication was definitely not enough. Having the skills wasn’t enough.

I’ve spoken about this before, but other peoples’ expectations of who and what I am shouldn’t have changed the moment I opened a press. Their opinions of my staff shouldn’t have changed either, but there isn’t a single person on my staff except perhaps my website designer who hasn’t gotten hassled for being a *publishing professional* because they’re affiliated with my tiny little shoestring press. I’m appalled that it did? How can people be so… short sighted and cruel? But they were. They REALLY were. People will be people and I’ll continually not understand them.

I thought, maybe if I waited long enough on my mental health hiatus that I’d be able to come back to it and finally publish these beautiful stories. I have some that I wanted to publish so badly that are so damned beautiful, and they DESERVE publication. But I just can’t do it. I don’t think, and neither does my therapist, that me being healthy enough to work at the press is likely to happen any time soon, and I can’t in good conscious keep holding up these brilliant authors from looking elsewhere.

When I opened this tiny little boutique press, I had a bit more faith in humanity. Faith in humanity has always been a failing of mine. I’m an optimist, really, though with all I’ve lived through I really shouldn’t be. I thought that people would, well, help a bit more than they ended up doing. I thought maybe we’d get editors who wanted to pen their own lines of diverse titles, I thought we’d get people interested in helping with contracts and legal paperwork. I definitely thought we’d get more than one patron. There is SO MUCH lip service being put to getting diverse voices out there. There isn’t a lot of follow through from people in publishing on it. Sadly. I foolishly thought there would be.

My staff and I were almost immediately swamped with queries. Which was wonderful, but none of us were being paid for reading them and we have to eat, which means that our paid work and our own writing always had to come first. Our patreon for the press remained for the entire time it was open with ONE person as a patreon. (I’ll be returning that extremely generous patron’s funds.)

I’ve considered keeping the press/website open for as long as I have the business license (another year and a half) but it’s cruel to keep holding the hope that I’ll be well enough to work on these stories over the author heads.

I can’t do that and I won’t.

I’m sorry for not being strong enough to do what I said I wanted to do. I’m sorry I had enough faith in humanity that they’d actually do what they said they wanted to do. But maybe people aren’t yet ready for the diverse stories and voices that are crying out to be seen.

I’ve had many people tell me they’re happy to wait for me to be well enough to work at the press again because they believe in the ideal of the press.

I really and truly wish I could say the same. I believe, deeply, that we need diverse stories. I desperately need more diverse stories to read, but when it came down to it? It was me and my staff working hard at a pipe dream.

I believe I’ve contacted all of my authors personally, if I have missed you, I sincerely apologize. My health has not been good for months, and I can only admit the truth of how badly that affects me, it could easily have made me miss someone.

 

 

 

Bloodbound’s release is an emotional one for me.

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I have so many mixed emotions about my Debut release from a publisher.

I have books out, ones I’ve released myself. I know how to do it, but the experience of being traditionally published is so completely different from self-pubbing that I feel justified in calling BLOODBOUND my debut.

I’ve gone from frustration, to joy, to fear, to tears of joy, to terror at what people will say and think of me after reading my book to knee bending gratitude that my publisher and editor gave me the chance to get my story out there and so many other emotions that I can’t even put a name to them all.

It’s such a maelstrom of feelings.

There’s also this odd… grief… almost. With my other titles, I always have the option, if I need/want to pull them from the market or make a change if someone points out a typo or what have you. I can do that. With BLOODBOUND, I don’t have that. So it’s a lot like saying goodbye to a child I’ve birthed, grown, nurtured, disciplined and made ready for the world to see.

It’s out there now. I can’t protect it anymore, I can’t make changes to it, and I certainly can’t pull it (not that I really WANT to, that would negate the point of publishing it after all).

But there’s this odd melancholy haunting me today. It’s done. It’s finished. It is a thing complete and now I need to move on to new projects. After having BLOODBOUND front and center in my mind, off and on, since November 2016 when I started writing it. It’s an adjustment, for certain.

Moving on, in the factual sense is easy enough, I have BLOODBOUND’s sequel SOULBOUND 95% done and almost ready to send to my Critique Partners. So concentrating on that will be a good thing. It’s already past my self-imposed due date of the end of March in any case.

Emotionally though? I think it’ll take time to sink in, that my brain baby is out in the world now. That I have to say goodbye in a very real sense to that book.

There’s also a sense of hope. That BLOODBOUND will reach the readers it was written for, and maybe provide a window into what life as someone like me is like for those who don’t need it as badly.

And that’s where my ask comes in.

BLOODBOUND is traditionally published through a small press. A larger, reputable one for certain, but it doesn’t have the kind of backing a big-5 publisher can give a book if they choose to. In publishing, so much about success is predicated by marketing dollars and getting the book into the public eye. There are readers out there who will LOVE my book, who need it to see themselves on the page, but if they don’t know it exists, they can’t enjoy it.

I’d like to ask anyone who reads this, if you’ve ever learned anything from me. If you support queer people. Autistic people. Mixed-race people. Polyamorous people. Pagan people… tell people about the book. Retweet things on it, reshare on all the social media networks you’re a part of. Share its name in the fan-groups you’re part of. The book is kinky, erotic, and paranormal with vampires and shapechangers, so it’d fit in any of those groups.

If you can, please buy a copy of the book. If it’s not your kind of book, buy a copy and donate it or gift it to someone who DOES love paranormal romance. Maybe run a giveaway of the book.

If you can’t afford it, and it’s a possibility for you (or even if you can afford it, and want to go the extra step) go to your local library and ask them to order a copy of the book. That helps so much, it’ll take probably five minutes of your time to fill out the form, (and many of them are online now) but it can mean so much success for me, and it’ll help people who need that book to find it.

If you read it, please leave a review on Goodreads, Amazon, Barnes and noble and Indigo. It’s really as simple as cut and pasting your review from one place to the next, I do this all the time and it takes me less than five minutes.

Please understand a review does NOT have to be a magnum opus, it can be as simple as “I loved this book because reason.” that’s it. It helps authors so, so, soooo much.

I’m not joking when I say that reviews sell books. Aside from people reading the reviews, the number of reviews on places like Amazon decide which books get featured in their newsletter and which ones get shown to buyers browsing for books like that. Even if you didn’t like the book, or my voice wasn’t for you… please just review it. Even if you hated it, you can review it because it’ll make sure that other people aren’t getting into something they don’t want to read.

Reviewing is IMPORTANT. I can’t emphasize that enough. I really can’t.

Here’s the info for doing any and all of the above, and you have my sincerest gratitude. Now, on to SOULBOUND! (I might have to shed a few tears of goodbye for BLOODBOUND though, it’s been my companion for close to two years, saying goodbye is hard to do!)

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To buy:

I earn the most money on digital copies from the publisher, but I get the most exposure from either print or digital from Amazon, so really, purchase wherever you usually do business. There isn’t a better or worse way *for me* to have you buy my book.

If you’re thinking of getting a print copy, asking your local bookstore to order it can help a lot because oftentimes, they’ll order a second copy for shelf-stock, ensuring me two sales vs one.

Digital from the publisher

Print from Amazon

Digital from Amazon

Indigo for KOBO (digital, you’ll have to go in with the ISBN to get the store to order it, they can. If they give you a hassle, tell them it’s distributed through Ingram.)

Digital for B&N for NOOK

Print for B&N

Webbutton long Ripped Bodice

Print ISBN: 978-1-948608-91-6

Ebook ISBN: 978-1-948608-80-0

And if you want a signed copy direct from me with the swag pack (until I run out of them!) You can send me $15.99 in US funds plus exact shipping from Canadian postal code N6J 3R5 to your location, to my paypal address and I’ll send it off to you within the next couple of weeks. (As soon as I get my box of books!) Just do me a favor and send me an email telling me you’ve paid for a copy please so I can keep track? (kaelan.rhywiol@gmail.com)

If you purchased it elsewhere and want a free swag-pack, *until I run out!*

All you need to do is send me a purchase receipt from the publisher for digital or anywhere for print to the above email address (Amazon et alli have unfavorable to the author return policies on digital books, so, unfortunately, the digital purchases aren’t eligible from anywhere but the publisher, I’m sorry.) Include your address and I’ll get it out as soon as possible! If you’re worried about how to get the book from the publisher onto your Kindle, Nook or Kobo, you should be able to email them to kindle/upload them to kindle or upload them to Nook and Kobo (I don’t use those two, so don’t know if you can email them or not.)

Thank you so much for everything you do for me and people like me. It really means the world to know that people like me have a place in publishing and in your lives.

 

 

 

Marvel Studios Fvcked up with Infinity War… and here’s why.

THERE ARE SPOILERS FOR INFINITY WAR IN THIS REVIEW.

Content Warning Foul Language.

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Last chance… SPOILERS AHEAD. Some for Age of Ultron and other Marvel titles as well.

I’m going to preface this by saying that I don’t follow the comics. I haven’t since uni for a couple of reasons. So I’m approaching this review and my reactions to Infinity War from a MOVIE watcher’s perspective.

Superhero movies are my brain candy. They are one of the few types of movies I make sure my disabled, broke as fuck ass gets out to see in theatre. I save up for these things. It costs me a lot in time, energy, health resources, and money that I really don’t have a lot of to go see these.

I have expectations for them (and yes, I let far too much slide with regards to these movies).

I hurt like a son of a bitch yesterday, and I STILL went to see the movie. Because I really wanted to have the Marvel Movie Experience.

Boy did I not get it.

Backing up a little, I’m not much of a traditionalist for 99.9% of things in life. My husband and I never did a wedding, we don’t have a ‘song’, we’re lackadaisical about couples holidays… and still been happily married for 20+ years. To kinda give you a bit of a handle on my me. I like bending genres, reading/writing genre-busting books…

But one of the very few things I will go to the mat for are story-telling tropes and formulas.

I ripped the hell out of Rogue One because it fucked up the formula.

And that’s one of the ways Marvel Studios fucked up with Infinity War.

See, in the comics universes, there are two main leaders that most people know. DC and Marvel.

Some people like one and dislike the other, some people like both for different reasons.

I love both, for a variety of reasons.

If I want dark and gritty entertainment, with a grimdark sense of reality, I will turn to DC, because historically they have given that to me. I can COUNT on them to give that to me.

Walking into a DC movie, I know that it’s very likely a character that I like might die, it might even be the main character, or the love interest, and because I’m going into it knowing that, I’m good with it.

Walking into a Marvel movie, I know I’m going to be left on a high-point, one illustrating hope and helping me believe for a single moment in time that humanity is worth saving and that hope actually matters.

They didn’t end Infinity War on a high point. They left me no hope, which means I have NO EXCITEMENT FOR THE NEXT FILM. None.

I really don’t give a fuck about anything to do with Marvel now. (Except Deadpool 2 and if that sucks it’ll be the final nail in the coffin of my love for Marvel. Actually, if Loki ends up dead for good, with as much as Tom loves that role? That’d kill it off quicker than fire on a seedling for me too.)

Lolz, people will think I’m being dramatic. While I own the fact that I CAN be dramatic, I stopped watching Walking Dead after they killed off ONE (not both) of my favorite characters. Haven’t caught an episode since and I stuck with that show for YEARS of bad writing. I’d been a fan from first season.

When I’m done, that’s it. I’m done.

And frankly, I have no reason to go watch any other Marvel film having to do with the Avengers or any of them until and unless they fix what they fucked up. So sad for Captain Marvel… even if it’s a prequel, I’m not laying down money to see it. Not after Infinity War.

Marvel Studios has done an amazing job in the past ten years investing me in the characters they mostly freaking killed off in Infinity War.

Leaving me soured at the end of that film was a bad business decision on their part.

You can argue (and it’s been argued with me) that because they made me FEEL SOMETHING (in this case anger, irritation, annoyance, and WHAT THE ACTUAL FUCK Marvel?) then the storytelling achieved its goal.

I disagree.

Storytelling isn’t JUST about making people feel something. That’s part of it sure.

It’s not even close to all of it though.

Part of successful storytelling for series and franchise titles like the Marvel movies is MAKING THE VIEWER OR READER WANT TO COME BACK FOR MORE.

Not turning them off from ever wanting to watch anything they made again.

And that’s exactly what Infinity War did to me and many people like me.

I came home after watching IW and tried to watch one of my favorites in the Marvel universe. A comfort watch, so to speak. One I can watch over and over again, regardless. I couldn’t get through it. IW killed Marvel for me.

Because they fucked with the formula.

I knew, going into it, to expect *very bad things* from early reactions of my friends and general chatter about the movie and crowds reactions.

I didn’t expect it to make me hate Marvel Studios. That was a bit of a shock. I didn’t expect it to remove all enjoyment I have in previous titles.

Because they didn’t give me any hope at the end of IW. The bad guy got the happy ending. That’s it. I count on Marvel for hope, and they didn’t deliver.

A single flash onto how the heroes are going to fix this cock-up just before end credits could’ve saved that movie. Because it did have most of what Marvel does so well.

They didn’t do that though. They left me, (and the entire theatre I sat in) cold, dead, and mourning our favorites.

Knowing that, because there are already sequels to other Marvel franchise movies signed and filming, that something would fix it (or that all the other ones will be predated to IW), but no real knowledge ON FILM for us to cling to? No hope?

Not a good move, Marvel. Not a good move at all.

Oh and guess what, other than Deadpool 2, I’m not laying down money on ANYTHING Marvel puts out until and unless they fix the cock-up they made with IW in a way that my heart can take.

They broke my trust. They broke my heart, and those things can’t be fixed easily.

Which is WHY we pay attention to things like tropes and story-telling genres and models of entertainment.

People trust us (I’m as much of an entertainer as anyone, given that I’m making my money from writing and editing) so I KNOW how this is supposed to work.

It’s a shame Marvel didn’t. Or that they thought they were too big to fail (and hell, maybe they are). I only know that *I* a die-hard Marvel fan, am not spending more money on Marvel films barring Deadpool 2 going forward. Not unless they fix what they fucked up.

When I want a hopeful ending to a story, I’ll pick up a romance, because I’m guaranteed an HEA (Happily Ever After) because it’s a ROMANCE. (They aren’t marketed as romances unless they have an HEA.)

When I want my guts ripped out and anxiety about my characters, I’ll pick up a sci-fi or a fantasy by a favorite author.

When I want to wonder who-done-it with no way of knowing if it’ll be happily resolved, I’ll pick up a crime thriller.

When I want a who-done-it with a guaranteed HEA? I’ll pick up a paranormal romance.

In entertainment, consumers expectations HAVE to be taken into account when you’re doing anything with regards to, you know, entertainment.

If you aren’t thinking about that while you’re crafting what you hope will entertain, then you’re going about it the wrong way.

I still don’t know what the actual fuck Marvel Studios and the Russo Bros were thinking by doing that with IW.

I trusted Marvel to give me what they always have, hope. (I mean, I’m still hoping for the fast-twin character to come back from Age of Ultron, because NO ONE DIES AND STAYS DEAD IN MARVEL! That’s one of the things I love about it!)

They left that story open ENOUGH (fast healing, fast-paced scene and we didn’t actually see him dead/stay dead) that it’d be believable within the Marvel universe if he reappeared.

So there was *some* hope for that character.

In IW… they left us with NO hope. None. Except the vague knowledge that they have to fix it somehow, or all other upcoming titles will be predated to IW, which… would be extremely odd and ill thought out.

But given how badly they fucked up with IW I wouldn’t put it past them.

I trusted Marvel to give me what they always have, what I *need* from Marvel.

They failed in that trust.

Within the first five minutes, they killed off my favorite character, Loki. I knew that one was coming because I specifically asked a friend if he died (I needed to be prepared for that one).

So, I’m sitting there watching the movie, and it’s entertaining enough in the way Marvel films usually are for me. Lots of action, pretty people doing unbelievable to the laws of physics things on screen… (I’m a scientist, by all rights I should hate superhero movies JUST for the OMFG whut aspect on the physics… like I said, I give them far too much leeway.) some emotional oomph, lots of CGI, reasonably decent writing.

Writing wise, they tried to cram far too many disparate plots into one 2ish hour movie. They had too many character arcs competing for attention so NONE of the character arcs had the emotional oomph they needed.

If they wanted to do that, from a writing standpoint, and make me feel it, they needed to slow things down a bit and make the movie longer. I have no problem with long movies that have an intermission. Hell, I went to Trilogy Tuesday for LoTR (19+ hours in a movie theatre).

It could have been done, and honestly, should’ve been done.

They did a good job almost making me empathize with the megalomaniacal genocide preaching villain (which, honestly, that was VERY well done because I’m very much not for killing trillions of sentient beings with the snap of a finger).

But Thanos was the only one who got a happy ending in that film.

ALMOST EVERYONE ELSE I CARED ABOUT DIED.

Then roll credits.

That… that is not the hopeful ending I need from Marvel Movies.

Now. Yes. I know that they are likely going to fix it in the sequel, which was originally titled Infinity War 2.

And it IS Marvel. People don’t stay dead in Marvel.

Which is one of the charms Marvel has for me. If I wanted a fucking DC movie, I’d’ve GONE to a DC movie.

There are a number of ways they can fix it (and I swear to gods if they don’t Marvel will be dead to me, don’t piss off your fan base peeps, it’s bad business). I’ve discussed this with friends who read the comics, and I know which one is most likely.

That friend is warning me that there will likely be a sacrifice needed for the ‘fix’. And if it is? (You’ll note, those of you who’ve seen it, that ONLY the original Avengers survived?) It’ll be one or all of the originals who has to die to replace the new ones. They’ll have to sacrifice their lives to pass on the torch to the new Avengers, and that’s how it will be.

Which will also ruin Marvel for me.

See, Marvel is not DC. Marvel heroes can retire, they can fade away, they can be referred to as ‘they had to leave for the good of their families’.

They can’t die, not and stay dead. Not if it’s gonna be Marvel, and not if it’s gonna leave viewers hopeful and wanting to come back for more.

In order to make Infinity War a good movie, other than the basic storytelling issues it had, it needed to have a flash of a way for the heroes to fix it before the end credits.

Something to leave the viewer with the hope that, ‘oh, holy shit the world is fucked but we KNOW our heroes can fix it!’

That’s what brings us back to watch the next Marvel film, and the next, and the next.

Not a sense of poignant gloom and doom and ‘wait, that’s IT? THAT’S WHERE THEY ARE LEAVING US? FOR THE YEAR OR MORE IT’S GONNA TAKE TO PUT OUT THE SEQUEL?’

So… as far as Infinity War goes? I really wish I’d skipped it.

It wasn’t worth my money, it wasn’t worth my angst, and it almost isn’t worth me writing this review.

Maybe if they’d released BOTH IW 1 and IW 2 at the same time, or within weeks of each other, they could’ve gotten away with that shite.

As it stands?

Nope.

If you like my work, my writing, advocacy, and editing is my only income.

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In the interest of transparency

CONTENT WARNING mention of panic attacks, abuse of autistics, mention of email harassment, ableist language as a self-label

I reviewed a harmful book by an autistic martyr parent. It’s gone viral, so you may have heard.

Here is the review, here is the twitter thread.

When this page came across my feed, the author claiming that the book itself proves she didn’t abuse her son, I was motivated, out of stupidity I guess, to reach out through her comment section to let her know I HAD read the whole book and found it even more horrifying than the WaPo article.

She emailed me, implying that I had obtained the book illegally.

In the interest of transparency, and honesty, I’m sharing all of the text I have sent to this woman, and her husband.

These are my words, so I’m allowed to share them. I would DEARLY love to share the emails both she and her husband have since sent to me, because oh my dear gods they have me in tears and a panic attack. Both last night, and again this morning.

Suffice to say that they implied I’d gotten the book illegally, that I didn’t actually read the book, that I should REREAD that travesty, that I said I knew their son better than they did.

Then I just got one from the husband claiming that *I* a confirmed autistic am OBVIOUSLY not autistic, that I am probably a Russian internet troll bent on hurting good people like them.

So. Before I go close myself in the bathroom and rock myself calm. Here is the text I sent via the author’s contact section on her website.


What I sent to Ellenby via her contact form on her website in response to her defense of the WaPo article.

Oh? I’ve read the whole book now. Your book paints you as JUST as abusive if not worse than that article described. There were times in the book that you admitted to wanting to give your son a tranquilizer, which you had on HAND to go to a birthday party.

You really need to pull that book. It’s not out yet, so you still have a chance to repair this damage before it’s totally done. It’s harmful to the autistic community and it’s incredibly harmful to your son.

People, autistic people are already reading it and being harmed by it. I’m one of them.

Parents of autistic kids are going to read it and think that’s the best way to do things!! It’s not. It’s not even CLOSE.

Please rethink the massive amount of damage you can and are doing.

You’re wrong. You are VERY wrong.

These kinds of books need to be stopped.

You said you didn’t want to write another autism parenting book, you failed so hard on that. The only thing you did better? Was to insult autistics and provide graphic accounts of abuse of the disabled.

I wish you the best of luck, I think you’re actually a rather talented author if you actually wrote something you knew anything about. You so obviously DO NOT understand autism. Not if you could write those things. You just don’t.

By the way? You read as autistic to me. Female autistics don’t show the same signs, and we’re JUST as common as male autistics. The data and research is badly skewed.

You and I aren’t far apart in age, you wouldn’t have been diagnosed at a young age any more than I was.

Please… Please pull the book. You’re doing untold amounts of harm.

I don’t want contact with you, after reading that book I don’t much like you. But I think you need to know that people HAVE read the book, and they feel JUST the same as after reading that article.

That book HURTS people. Autistic people, like your son. Like me. Like my children, like many of my friends.

It’s not going to get better.


And here is the text of the email I stupidly responded to her with. My only defense is that it riled me to have it implied that I illegally obtained a book when I got it from NetGalley and the publisher.

If someone knows if I’m legally allowed to share the text of the emails they sent me, please let me know.


With as much grace as I’m capable of showing to someone who would hurt a child as much as you have, let me explain some things as politely as I possibly can.
I received a copy of your book from NetGalley and your publicity firm. I requested it after seeing that bloody horrible article in WaPo. I’m autistic, and the mother of autistics, and I am SO SICK of autism parents writing like they have a clue about what they’re talking about, because honestly, most of you don’t. I review books like yours, HOPING one of you is going to prove me wrong. I mean, I actively HOPE one of you is a decent person. So far? None of you have been. I reviewed TO SIRI WITH LOVE and have been on Bustle and in the NY Observer because of my work on it. I imagine my words will be picked up about this book too, I’d be very surprised if they weren’t. I’m a reasonably well known autistic advocate in online circles.
I’ll attach a screenshot of the letter from your publicity group at the end of this email, since you seem to be implying I didn’t come by the book legitimately.
Look, I get it that you’re a new author. I’m not. I work in publishing, the way this works is that ARCs (Advanced Readers Copies) are put out from the publisher around a month in advance, Netgalley and Edelweiss are the most common places to ask for a copy. We reviewers can also email the publisher to ask for a copy of the book. The idea is to drum up publicity for the book, in hopes that the reviews will be positive. The deal is that we reviewers provide an HONEST review, which frankly you aren’t going to like because it’s not favorable, in exchange for a free copy of the book.
Now, using your own methods… (Note, she numbered her demands that I provide quotes from her own book, I don’t know why, to prove I’d actually read it maybe?)
1) Do not talk down to me, I’m autistic, I’m not stupid.
2) I’m not wading through that filth you call a book again to get you exact quotes. It’s bad enough I actually read the whole thing once, I will certainly never reread it. And if you doubt I did? I invite you to take a look at my live-tweeting of it. https://twitter.com/KaelanRhy/status/969089091051569152 I’ve quoted you there. A lot. Properly, as I am actually allowed to quote words from books as long as I source the book/author. I’ve also given my educated, and sometimes salty opinion of what I thought of your words. Since you seem to need a reminder of the words YOU actually wrote… It was right before the birthday party, you said something along the lines of seriously considering giving Zack a sliver of tranquilizer before the party. You said you’d given it to him several times before and it had relaxed him.
3) I have no issue with autistics using anti-anxieties, nor allistics for that matter. If the doc prescribed them to Zack, then maybe he needed them. I don’t honestly know, nor do I really care. How you can possibly think I’m insulting my own people by being upset that you threatened to drug your son into compliance for a birthday party is beyond me. Honestly, that’s how it read. It really did. I’m not the only person to have thought so. There are currently at least two other autistics I know of reading and tweeting, unfavorably, about your book.
4) As far as intent goes, isn’t there something you lawyers love to say? Something to do with mens rea? I’m a historian and a teacher, not a lawyer. Intent does not equal result. The intent behind your book may have been good. I don’t know you, & don’t really want to. The result is OVERWHELMINGLY that you ARE hurting autistic people. You have hurt me. I’ve been crying, off and on for two days as I read that damned book. I’m still awake at 2 am my time, often glancing in at my children, who are both autistic, and wondering how the hell someone like you could publish those cruel and often nasty things about a child like them.
Honestly, how could you? How? Do you not see what those words will DO to your children when they read that book? If you don’t? I could tell you, but I highly doubt, from the tone of your message that you’re even close to listening to someone you deem as less intelligent and less worthy than you.
5) Stop with the PFL please. Autistics, by and large, HATE IT. It demeans us. If you knew ANYTHING about autism, you’d know that. Same as you’d know the bloody difference between a meltdown and a tantrum. They aren’t the same thing. Do you have any idea what a vibrant community we have online? I doubt it.
6) I still can’t believe, even if you don’t accept that your book will and already has harmed autistic people, that you CAN’T see how much those words will harm your son. I don’t understand that.
7) A thorough reading (she said that a thorough and accurate reading of her book would prove her point, as if I *hadn’t* done so) of your book made me throw up. It made me almost meltdown, that a person like you could be at all involved with autistic people, and are likely autistic yourself… it sends chills up my spine and makes me physically ill. It really does. I have no idea the sheer amount of harm you are doing with your ambassador’s group, and because you so badly misunderstand autism? You don’t either. I think it’s a great idea, but do you employ autistic people to help you? Do you know that our rates of unemployment are around 85% regardless of how well educated we are? Do you have any idea how close to poverty most of us live? Do you care?
8) An accurate reading of your book makes it quite clear that you hate your son and prefer your daughter. It makes it QUITE clear that you do not understand autism. For gods sake, you use PFL, refer to meltdowns as tantrums and quote crap from freaking auti$m $peaks. You seem to only understand the lies that Auti$m $peaks spouts, and people like Suskind. Do you realize that almost everyone in the autistic community thinks he’s a joke, or a fraud? There are some few allistic people who write about us that we like. It’s because they listen. He is not one of them. You will not be either if you go on to publish this book.
9) Do not besmirch my honesty or integrity. If I say I’ve read your book? I have. From page one to the very last page.
10) You can’t control how people will view your book, how they will read it, and you saying you’re sorry for how it affected me while at the same time telling me I misunderstood it smacks of so much arrogance. You really won’t get far in publishing, at least with the author side of things, with that attitude. The autistic community is HUGE online, especially on Twitter. Telling us we’re wrong for our very valid interpretation and feelings about your book? It’s really not a good look. You not being able to control how people will view your words is the risk you take as an author. I believe your intent was good, but your result failed. Badly.
11) I’m not usually the type to talk to the authors I review, I’m not even sure why I did or am. Perhaps I’m truly hoping you’ll listen and pull the book before it causes even more damage. Right this second I have autistics telling me they’re having panic attacks and flashbacks to their own abuse, just by reading my quoted words. They haven’t even read some of the worst stuff in the book! I have. THAT is the kind of harm I’m talking about. If you read my tweet threads, read the comments replying to it too.
12) Yes, you do make it clear that your harmful methods, which are absolutely abusive, are your idea alone and against medical advice. But the fact that you make it seem like they worked completely for Zack (you do realize that later in life he’s likely to suffer MASSIVE ptsd from that, right? MANY of us do) are going to have a clear result. What exactly do you think desperate parents who don’t understand autism, who believe it’s a horrible, disfiguring disability that truncates families and reduces enjoyment of life… all of the very nasty things you said in your book… what do you think they’re going to DO when they read that? They’re going to torture their kids in just the same way you tortured yours. And the outcome won’t always be as positive. So it worked for Zack. I’m happy for you both, there are OTHER better methods that your book doesn’t even mention. Those desperate families are going to harm their kids, and it WILL be your fault. It may not be legally anything to do with you, but morally? It’s on you. You can’t escape that. I think that’s probably why I said something because the book doesn’t pub for another month or so. You DO still have time to undo this. We, as authors, have a deep and abiding moral responsibility to make sure our words don’t harm anyone or cause someone to harm others. If it’s pointed out to us that they do? The right answer is to apologize and repair, if you can, the harm you’ve done. Period. I take my responsibility as an author of touchy subjects VERY seriously. It’s totally up to you how you take yours.
13) You definitely implied, if not outright claimed, that you’re an expert on Autism several times throughout your book, and no, I’m not wading through it again to find the quotations. I’m sure you’ve got a copy of it, you can do a word search yourself. You claimed to be a scientist once too. Also…did you NOT write your bio for Amazon? We authors usually provide the text for those. Here… let me cut and paste it below to make it absolutely clear that I’ve actually read it. Since you doubt my honesty so much.
Of course, you have a right to speak for yourself and share your story and your viewpoint. You also have the right and responsibility to bear the burden of the resulting harm. I just wanted you to know how very harmful I and many in the autistic community ALREADY find your book. Once it publishes? You have no control anymore. And you very likely WILL be taken to the cleaners. Diversity advocates on Twitter are ALREADY calling for it to be boycotted.
Then again, books like yours get all sorts of accolades and it took me forever to find a decent publisher for my work. I doubt that washington post will even bother to print my review or what I’ll write up to send to them about your book. I don’t have connections you see, and I’m autistic. I’m out and proud about that, so to most people, my opinion doesn’t matter. Because I’m stupid.
Books like yours don’t help that, you know.
As an aside, I can’t believe that you’re an author and not on Twitter. I really can’t believe it. The writing community on there is almost as rich and varied as the autistic one.
Now. I’m tired, I’m still hurting beyond belief at reading your book, and I’m going to try to go to sleep. I very STRONGLY urge you to pull this book. You have no idea the amount of pain you’ve already caused. I’ve pasted the promised proof below.
I think it’s best we don’t speak again.
Kaelan

Pasted bio from Amazon, I bolded the parts where it claims she’s an expert.

About the Author

Whitney Ellenby is a former US Department of Justice, Disability Rights attorney whose writings have been published in The Washington Post, a law review periodical, and the U.S. DOJ website. She is the author of “Divinity vs. Discrimination: Curtailing the Divine Reach of Church Authority,” Golden Gate University Law Review (1996)), as well as an amicus brief on behalf of the U.S. DOJ Disability Rights Division regarding discrimination against mobility-impaired individuals in violation of the Americans with Disabilities Act (ADA). She is the proud parent of a son with Autism and founder of “Autism Ambassadors,” a charitable venture through which she runs exclusive recreational events for over 600 families impacted by Autism in the Washington, DC/Maryland area, including a Sensory-Friendly showing of the world-famous “Gazillion Bubbles Show.” She is an expert on Autism and has testified before the Maryland Senate on disability-related issues, is a member of the Developmental Disabilities Advisory Council for Montgomery County, MD and serves on the University of Maryland Autism Spectrum Disorder Advisory Board. Whitney’s expertise is steeped in her extensive disability law background, personal experience with her own son, and over 10 years of serving children, teens and adults with Autism of all ages through her “Autism Ambassador” events. Her monthly “Ambassador events” have been featured in local t.v. news, The Washington Post, Bethesda Magazine, and The Bethesda Gazette. Whitney was most recently honored with an “Autism Awareness Proclamation” and “Community Leader” award for her advocacy and dedication to the disability community of Maryland. She has what she describes as a “healthy obsession” with all things Autism.

I then pasted a screenshot of the email I received from her publicity firm. I can’t seem to figure out, as shaken as I am, how to paste that here. I shared it with her to prove where I’d gotten her book, since she made it seem in her email that she highly doubted I’d received a legitimate copy or even read it.
I woke up this morning to a letter in my email from her husband, of all people. He was defending his wife, telling me the book was beautiful and defending their treatment of their son. This is the text I sent back to him.

The very fact that you use functioning labels means you have very little idea of what it means to be autistic. And as far as I and many other autistics are concerned? Have no business working with us. I never said that I knew Zack, in fact, I said that I didn’t. I don’t want to know any of you. I certainly do not want to see any of your names in my inbox again.
Assuming that because I type well and communicate well with words on a screen means that I cope well with all aspects of life in an allistic world again proves that you have no idea what it means to be autistic.
Was I condescending? Possibly, it wasn’t my intent, any more than it was your or your wife’s intent to harm, what, at this point, is thousands of autistics. It will be more when that book comes out. She implied that I may have gotten the book illegally. I tried, in my very blunt, autistic way, to explain how this business works.
Were your actions and inactions abusive to your son? They certainly read that way. Not just to me, but to the thousands of other autistics who have read my review threads, to obviously, given the defensive tone on your wife’s website MANY people who read the WaPo article as well. Your intent and your love for him does not matter. It really doesn’t. ACTION is what matters, and those ACTIONS were abusive. ABA itself is deplored as being abusive, most autistics wouldn’t use it on a dog, you know. In fact, if those methods themselves were used on dogs, the person doing them would be reported to animal control.
If Zack is around 16? He won’t be showing PTSD from that yet. We usually don’t because we internalize it. It usually hits sometime in our 20s or 30s. ABA alone causes it, the rest of the things you guys did to your son? Regardless of your intent? It will only exacerbate it.
In fact, ABA breaks child labor laws, but because it’s ‘therapy’ it’s okay.
Your wife’s ‘beautiful’ book is going to harm so many more autistic kids. Desperate parents are going to do EXACTLY as I said they will, because you two put yourselves forward as being an authority on autism. Legally, it’ll have nothing to do with you, because you’ve both CYAd. Morally? That harm is on you both.
Good luck. Do not contact me again. Seeing either of your names in my inbox sends me into a panic attack. I only reached out in what is so very obviously a vain attempt at trying to halt this train wreck before it harms more autistic people because I care about people like me.
And I’m so sick of people like you hurting us. I have autistic kids who have to live in this screwed up world, and people like you, who claim that books like that are beautiful, and good, and needed? You make it worse.
Goodbye.

There’s been another letter from him, claiming that I’m a troll and not-autistic (I knew that was coming, said so in my thread) but I’m actually smart enough not to respond to that.
I am a shaken, panic-stricken mess right now. I’m crying, and I HATE to cry.
Authors? DO NOT RESPOND TO REVIEWERS.
Reviewers? Be smarter than me and don’t try to reach out to authors to stop their harm. I’m an authenticity reader for autism and… I thought maybe she’d listen. Mea culpa.

 

Research as a writer

So. Research, we all know we need to do it, right?

I mean… we DO know we need to do some, when we’re writing, right?

Nope. We all really don’t seem to know this.

I read a book this past weekend that was a historical and it was very, very obvious that a lot (or maybe any) research hadn’t been conducted.

The story premise was good, but it lacked the depth that research could have given it.

I honestly can’t think of any genre of writing that you can get away with NOT doing research for. Picture books, maybe? But I did a ton of research for my Ace Shark picture book, so maybe not even that?

Some genres are heavier on research than others, I do the MOST research for Historical and Science Fantasy, but even for my paranormal titles, I still do a ton of research.

For my Ilavani series, I did so much research into genetic modification, quantum physics and historical power structures including the history and structures of indentured service that I could probably write at least a master’s level thesis on any of those subjects.

For my upcoming Bloodbound from NineStar Press I did massive amounts of research into the Mabinogian, Welsh Folklore, and supernatural critters.

Now. How do I do research?

It varies? That’s as helpful as mud, isn’t it?

So. I have a couple degrees in research related stuff. So I know how to do high-brow research.

But honestly? I start with Wikipedia.

Not so much for the articles, though some of them are surprisingly good, but for the links leading out from the articles.

Even if you JUST read the Wikipedia articles about the subjects you’re writing about, it’s probably enough for a lot of mainstream fiction.

But you can also find pages like this one (here on my site) where I add interesting links that I’ve found while I’m doing research for my books.

You can follow the links from Wikipedia to find further information. You can google search a specific topic (most of the links on my resources page were found doing one of those two things).

If it’s a topic? There is someone who geeks out about it. Find the geeks talking about it and listen to them. Many of them are very interested in consulting (waves at the lovely people helping me with long-range sniper rifles right now) in order to get the info RIGHT in books.

Cause getting it right kind of matters. Very little will throw me out of a story faster than a fact that I know to be untrue.

Because then I have to go look it up to remind myself that it is, in fact, untrue.

If I find it’s not factual, I will very likely never pick the book up again. Not everyone is as fussy as I am about things being authentic, but I very much am.

Why should I waste my valuable time in reading your words if you didn’t waste YOUR time looking up the information to get it freaking right?

I also use TV Tropes a lot (I spent probably weeks on this site while I was developing the world for the Ace Assassin World. (Bloodbound April 30th, 2018, and OMG that’s getting close!)

Just type in what you want to know about in the search bar and browse to your heart’s content. You’ll likely be surprised at all the questions you didn’t know you didn’t know to ask that you suddenly have when you do that.

Fair warning, it’s a HUGE rabbit hole. You could get lost. Take some carrots as a snack.

Where can you find the geeks? Internet. Most of us have blogs where we obsess about our interests. For those of us who don’t have blogs, we go to group meetings about the topic that we love.

IE: Beekeeping, look for a local beekeepers/apiarists association. They are in most towns, but it’s one of those things you probably have to go looking for to find.

Same with Blacksmithing, or genealogy, or spinning, or weaving, or, or, or, or…

Twitter is a fantastic resource cause many of us geeks do threads about topics we’d like people to get right.

If it’s a historical topic, you could look for historical reenactment groups. They exist for most areas of history, and trust me, you’ll find history geeks there.

Libraries are a fantastic resource if you can get to one. Librarians will often help you find books about any subject you need because that’s what they both love and get paid to do.

So. There is my two cents on research.

 

 

 

 

A reaction to The Last Jedi, from a die hard SW fan who hated Rogue One.

TL;DR is…

I fucking loved it so hard. You hate Frumplestiltskin, the GOP, and maybe even rich peeps?

See it, IN THEATRE.

Spoiler free review.

I’m not going to go into detail. I don’t usually review movies, I bitch about or laud them on twitter instead.

I reviewed Rogue One, but only cause I loathed it with every fiber of my being.

S’okay, you can disagree with me and I can judge your taste until the end-point of my being.

Lolz, we can still be friends. You’ll just get a side-eye from me about the movie, is all. (Seriously, my best friend completely adores it, we just look at each other weird about it.)

That review can be found here. I wasn’t kind, or nice, the movie was shite.

I’m someone who grew up on these movies, (I’m old, seriously, these movies were my childhood, I’m utterly unreasonable about them. I don’t CARE).

There’s a format to them.

You can scoff all you want at me but I’m actually an editor in real life, like, it’s my JOB to do this stuff.

Rogue one failed on pretty much every aspect except that it was sorta… not really… not even close… to being Star Wars Shaped.

It failed the format, it failed the canon, it failed everything, including the fucking romance.

Blech.

I’m thinking of torturing myself through it again, since it’s on netflix, to see if it was REALLY as bad as I thought. Preeeeety sure it was.

I’m a masochist. Don’t sue me, I’m broke.

The Last Jedi? I was actually terrified to go see it, because R1 made me hate Star Wars. People who LOVED R1 kinda made me look at the fandom in a WTAF sorta way.

Shrugs.

I had edits for The Last Jedi, if you know me AT ALL you know I’ve got edits on EVERYTHING. Including life.

The Last Jedi didn’t disappoint. I loved it. I loved every aspect of it.

I cried, I sobbed. I just. THAT IS STAR WARS!!!

THAT is what people who kept saying in 2016 that R1 ‘was the movie they needed to see’ (with regards to the resistance and a message of hope and the election and gahhhh)… nope.

No.

The Last Jedi carried that message, and then some.

Choice, Action, Consequences, Results, Lives lived on the edge, Heroic Sacrifice, Balance between light/dark, Space Battles, HOPE AGAINST THE DARK.

Yeah. THAT is Star Wars.

Also, I really want a Vulptex, (crystal fox) ridden by a Porg, followed by a Fathier, cause OMFG SQUEEEEEEE!

Okay. Stopping now. So I don’t spoil it. I loved it. It brought Star Wars back to me.

And after the godsfucked year a queer, autistic, mixed-race, pagan, expat American has had in 2017?

I needed THAT movie.

Go on now.

See it.

 

 

 

Ghost Writers

I think I need to get back to writing, I’ve blogged more this past week than in a while. It’s usually a sign that I need to be working on a book.

IN any case, what I want to talk about is ghostwriting.

So, if you go to Upwork, you can see all sorts of advertisements for ghostwriting. I’ve even made a small amount of money, once or twice, ghostwriting short pieces.

Screenshot 2017-09-27 14.26.47

I stopped because it felt so unethical.

I mean, people who are buying words/books… if it’s for a big name… they’re buying THAT PERSON’S words and stories. They want that author’s voice! Or at least I do.

I’m a mimic, I can mimic most writer’s voices in any genre I write in pretty closely, especially if I’ve read them before.

And I’m an editor, author and autistic.

I CAN BLOODY TELL WHEN IT’S A GHOSTWRITER!!

Please, for the love of the very little money I have to spend on books, don’t do this to me.

I get it, maybe most people aren’t going to be able to tell the difference, but *I* can and I’m not the only one by far.

The big5 pubbed book I preordered because it’s one of my favorite authors hit my kindle yesterday and I was excited to read it. I love this character and I love the world the author has created.

I do not love this book, and I have not yet found a book by this author I hated, nor even disliked.

I love this authors work (or whichever ghostwriter she’s had working for her for a while now). I love the worlds, characters, and stories.

I do NOT love what this new ghostwriter is doing with them.

There is something missing from this authors words that I’ve never seen in the name before.

I’m not a big name in publishing, I’m an outsider, probably always will be, so I don’t actually know how often a big name author hires a ghost writer.

Often enough I’d think. In the past year, two big names that I usually read have felt extremely off when I was reading the books.

I may keep a running list of things I’ve never seen this particular author do in her work, just to keep it straight in my head and to use as supporting examples for this post.

Things I’ve NEVER seen this author do in any of her 30 some books I’ve read that I’ve seen MORE THAN ONCE in this one.

Racial slurs

Description of her black character as ‘sun-bronzed’

Geek slurs

Extreme heavy handedness on reconciliation of ‘happy families’ (one of the reasons I’ve loved this author is that she DOESN’T do that.)

She’s also a WoC so I’ve trusted her to get the descriptions of her mixed race characters done in a sensitive way. This book? It’s so white I can’t even.

Graphic words (I don’t mind graphic words, but this author doesn’t have a history of using them).

… and there is just something missing from this book that the previous ones had.

It’s very unhappy making.

I suppose I could be wrong, that it could just be the author trying something new, but I sincerely doubt it.

So much so that I’m not buying the next book.

And I loved this author.

Look, I get it. We writers/authors are in a dog-eat-dog world, but this particular ghost writer just lost my custom for this author.

It’s close, but it’s nowhere near close enough.

As far as those of us who do the ghostwriting? I get that too, we’re most of us hand to mouth, but no.

Just say no. Please.

New Book Review: ASSASSIN’S FATE by Robin Hobb

Dark Adult Fantasy

Assassin's Fate.jpg

BLURB

NEW YORK TIMES BESTSELLER • The stunning conclusion to Robin Hobb’s Fitz and the Fool trilogy, which began with Fool’s Assassin and Fool’s Quest

“Every new Robin Hobb novel is a cause for celebration. Along with millions of her other fans, I delight in every visit to the Six Duchies, the Rain Wilds, and the Out Islands, and can’t wait to see where she’ll take me next.”—George R. R. Martin 

More than twenty years ago, the first epic fantasy novel featuring FitzChivalry Farseer and his mysterious, often maddening friend the Fool struck like a bolt of brilliant lightning. Now New York Times bestselling author Robin Hobb brings to a momentous close the third trilogy featuring these beloved characters in a novel of unsurpassed artistry that is sure to endure as one of the great masterworks of the genre.

Fitz’s young daughter, Bee, has been kidnapped by the Servants, a secret society whose members not only dream of possible futures but use their prophecies to add to their wealth and influence. Bee plays a crucial part in these dreams—but just what part remains uncertain.

As Bee is dragged by her sadistic captors across half the world, Fitz and the Fool, believing her dead, embark on a mission of revenge that will take them to the distant island where the Servants reside—a place the Fool once called home and later called prison. It was a hell the Fool escaped, maimed and blinded, swearing never to return.

For all his injuries, however, the Fool is not as helpless as he seems. He is a dreamer too, able to shape the future. And though Fitz is no longer the peerless assassin of his youth, he remains a man to be reckoned with—deadly with blades and poison, and adept in Farseer magic. And their goal is simple: to make sure not a single Servant survives their scourge.


REVIEW

First, I’ve been reading this series since not long after it first came out. Fantasy has always been my first and most enduring love. You do have to read the series to understand this book.

The blurb calls this a stunning conclusion to the series.

It’s right.

Robin Hobb is one of the very few (Less than five now) established authors I still auto-buy. Price of books and my anemic book buying cash and all. But I always buy the books about Fitz.

I bought this one release week and I’ll be completely honest, I had trouble getting into it. Passive voice. It’s my Achilles heel in reading and it will always throw me out of the story. So when I first picked up this story, hoping to escape, it irritated me enough to put it down when I caught several instances of passive voice in the first few pages.

I’m glad I finally got around to picking it back up again.

Man, when it finally grabbed me by the throat it pinned me down and held me almost unable to breathe for an entire weekend.

By that I mean I got NONE of my chores done, my hubs brought me dinner because I kept forgetting to eat and I forgot to make coffee one day because I was SO ENTHRALLED by the story. COFFEE people, I forgot COFFEE!

Now. I read fast, but this book is almost 900 pages long, I started it late at night on Friday and just finished it. A little before midnight on Sunday.

I didn’t do much of ANYTHING except read all weekend because I had to know what happened to Fitz and Beloved.

Had to.

It’s really good. I cried. A lot. Ugly, messy, cry, and I’m still content with how the story ended. I wish it hadn’t HAD to, because these were the only characters by this author that I connect with, but it’s still a fantastic conclusion. Even though my heart aches.

I’ll miss these characters, miss looking forward to new books with them. Badly. Sadly, Bee doesn’t do it for me as a character.

Somehow, I had also missed that Beloved is gender-fluid throughout the whole series, and though they aren’t named that way, it’s quite clear when I think about it. I suppose I could be coding it, but I really doubt it. Probably one of reasons I’ve loved these books, and reread them so many times for so many years.

I will say: Content Warning on a deliberate mis-gendering by Fitz for Beloved. That stung a bit to read. It worked for the characters, story, and world though, so it’s not a complaint. Just a warning.

SCORES

Readability: 5/5 star-1586412_1920 It’d be around 9 or 10 if I could rate that high on my system. I didn’t quite drop my tablet on my face, but that’s only because I’m trying to discipline myself into actually SLEEPING at night.

Arcs: 5/5 star-1586412_1920As I finished this last installment, I have to wonder if Ms. Hobb had this entire series planned from the get go. The series arcs, relationship arcs, and multiple trilogy arcs are so masterfully done. SO well done. It’s amazing. Truly.

Craft: 4/5: star-1586412_1920 I wish I could give it a full on five-star rating, but I did have trouble getting into it because of the passive voice. I found a couple of sections dragging and would’ve advised the author cut a few scenes to speed pacing. Still loved the book and the sheer scope of this story… it’s freaking phenomenal. Hobb carries well her laurels of being one of the best fantasists in the genre.

 

 

Work/Life balance as a writer/editor/publisher.

I want to say something snarky here, like… I’ll let you know when I figure it out.

But…

I’ll admit. It’s a struggle to find some sort of balance while being an author, an editor AND running a boutique publishing house.

I often feel like I need to work ALL the time.

It doesn’t help that this is my calling. Anyone with a calling will tell you it’s often harder to make yourself STOP working than it is to make yourself start.

I work far more than I should because I enjoy my work.

Whether it’s the act of writing, the act of reading potential books sent by hopeful authors, or whether it’s deciding how best to market stuff, I love it all. The only thing I don’t love is wrestling with contracts, but I feel like I’ve been given a gift to HAVE this wonderful calling. That of words.

As far as the balance part, that’s where it gets a bit murkier.

I try to stick to eight-hour workdays for the press/editing side of the business. It’s hard, especially when the book I’m reading for that aspect of my life is a good one.

I care, too, about the authors waiting to hear back from me on whether it’s a yes/no on the eternal question of do *I* love their book enough to publish it. I don’t like to make people wait too long. It bothers me. I’m picky, so I often don’t love the books enough. That’s because it’s a freaking nightmare to wrestle with the publishing process, and I only want to do it for books I LOVE.

I tend to read for pleasure only after I’ve written my daily word goal (if I’m drafting, if I’m in the editing phase for my own books after I’ve hit my daily editing goals).

I’m trying to read more for pleasure lately. I miss it terribly, but I find it incredibly hard to do of late because I haven’t quite figured out how to turn the ‘editor’ part of my brain off so that I can just read a story.

I mean, it has to be freaking amazing these days to suck me in and let me just read.

So, in a nutshell, I try to stick to a 9-5 schedule for the press, then switch to my own writing ’til I hit goal, then read for review/pleasure (pretty much only reading review books that ARE a pleasure to read these days, life is far too short to read books I don’t want to or that don’t catch me up).

Is it any wonder I have no idea who movies stars are and what TV shows are current? I live within the pages of books.

I’m happy there.

 

 

 

Reviews

Yeah, yeah, we all know we need to review books.

I mean… we DO know that right?

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Backing up, just a bit in case you DON’T know.

Reviews sell books for authors. There is NOTHING you can do more to support an author (other than buying the book in the first place/asking your library to buy the book) that will help them more.

Because people read reviews, they look at the star ratings on Amazon/Goodreads/B&N etc.

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They decide whether to buy a book based on what other people have said.

Even as something as simple as I LOVED IT with a 5 star rating can help sell a book to the next person who might enjoy it. It doesn’t need to be a long paragraph on why.

Those help, of course, (if you look at the reviews section of my website, I go to great length to tell my readers why I liked/didn’t like something).

But that very fact of ‘how books get sold’ is why I RELIGIOUSLY review everything I read. Even if it’s something I didn’t like, or wasn’t a ME book.

I still review it.

As far as algorithms go on places like Amazon and Goodreads, reviews count for visibility too. The more reviews an author has on a particular book, the higher their rating on Amazon, meaning it’ll show to more people who might be looking for THAT kind of book. I assume it works the same on non-amazon sites.

But, that’s just background to what I really wanted to say.

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I wanted to say thank you.

Thank you SO MUCH to everyone who has left me a review, anywhere.

I read my reviews, I mean, we as authors are told we shouldn’t, but honestly? I want to know if I’ve fecked up somehow, so reading reviews is the best way to do that.

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I… don’t yet have a bad one. For which I feel incredibly fortunate.

I know… the first bad one is gonna sting like blazes.

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BUT… right now, as I’m sitting here proofing my next release, ILAVANI, for July sale, reading reviews, (some which were new to me) from my author central page, and seeing the OVERWHELMING support for my work. The sheer hunger for the kinds of things I write…

Y’all give me faith.

That what I’m doing is really needed. That my voice has worth in a world where I can’t land a publishing contract.

That my words, my work, my writing… is wanted.

That, it’s so important.

My critique partners and betas tell me they love my words. By and large they know me though, lol, my beloved CPs have the unenviable job of thumping me over the head with my own stubbornness…

I’m stubborn. Trust me on that.

Betas have the thankless job of reading something before publication… so, their words are incredibly important and I absolutely could NOT do this without my CPs and Betas.

Hearing from strangers, who have bought my book(s), read it, loved it, and then taken the time to review it for me?

That’s yet another level of gratitude.

I have so, so much gratitude for everyone who helps me in this writing journey.

I’m never going to be one of those authors who doesn’t appreciate those who read their words.

‘Cause without you all? I’d be nothing more than a writer telling stories to myself over my keyboard.

Thank you. So very much.

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